The Shadow Lines

‘This is how the language should be used . . . This is how a novel should be written.’

—Khushwant Singh

As a boy, Amitav Ghosh’s narrator travels across time, experiencing different worlds, all brought to life by the tales of those around him. Set against a backdrop of war and strife, each story becomes an extension of his life.

Through them he traverses the unreliable planes of memory, unmindful of physical, political and chronological borders. But as he grows older, he is haunted by a seemingly random act of violence. Bits and pieces of stories, both half-remembered and imagined, come together in his mind until he arrives at an intricate, interconnected picture of the world where borders and boundaries mean nothing, mere shadow lines that we draw dividing people and nations.

Out of a miraculously complex web of memories, relationships and images, Amitav Ghosh builds an intensely vivid, funny and moving story. He questions the meaning of political freedom and the force of nationalism in the modern world. Exposing the idea of the nation state as an illusion, an arbitrary dissection of people, Ghosh reveals the absurd manner in which your home can suddenly become your enemy.

Click here to visit the Amitav Ghosh website

‘‘ ‘[The Shadow Lines] weaves together personal lives and public events . . . with an art that I think is rare . . . The book is ambitious, funny, poignant. [Ghosh] evokes things Indian with an inwardness that is lit and darkened by an intimacy with Elsewhere.’ —A.K. Ramanujan Press Reviews

‘‘A moving book, written with humour, tenderness and an understated intensity . . . achieves a transparent clarity through the deft balancing of a complex set of concerns.’—Meenakshi Mukherjee in India Today

‘‘The Shadow Lines is, in a word, brilliant. Brilliant in how it has been conceived, brilliant in its execution . . . language, structure and spirit have coalesced to produce a work of lyrical beauty.’ —Gopal Gandhi in Book Review

‘‘Ghosh stands out for his sensitive and resonant use of language . . . one is continually brought up short by a felicitous turn of phrase or by the dazzling appositeness of a word . . . Ghosh uses to great effect a matrix of multiple points of view in which memory, mythology and history freely interpenetrate . . . A delight to read.’ —Girish Karnad in Indian Express